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A straight-up, shit-kicking country heartbreak song. I really enjoy the bass-work on this; almost rises to the level of an accompaniment itself, beyond being essential to the rhythm section as usual. Got Doug McLaughlin on drums again. His final flourish on the song is a great way to finish the record, I thought. It was, ironically, the last song he worked on (it being the simplest, it would have been the natural choice for first).

Toward the end of the last chorus, I played a chord I didn't intend to on the rhythm-accompaniment, a mistake; but it ended up being yet another example of a well-asked "was it really a mistake?", and so the take stayed. Now it's one of my favorite moments on the album.

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from Just a Little Change of Plan, released September 1, 2009
Doug McLaughlin on drums; and I play mandolin, acoustic baritone, acoustic bass.

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Matt Miller, Baritone Guitarist & Singer/Songwriter Flagstaff, Arizona

Baritone guitar is tuned between a guitar and a bass (B E A D F# B). Extremely versatile, full, and very funky. Given its excellent qualities, it is surprisingly uncommon.

I "live loop", which lets me improvise on alto sax, flute, and guitar. Strong jazz and funk influences, but truly a wide variety. Even shit-kicking country at times. The Muse, she speaks; I hear.
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